Public libraries are hubs for innovation and community engagement. Library workers must listen closely to community needs to design programs and services responsive to continuous changes in technology and fluctuations in funding. This free webinar showcases two examples of collaborative design events used in public libraries to generate ideas, build community, and solve problems.
What exactly is an embedded business librarian? An embedded business librarian is a library professional who is rooted in the business community; a librarian who is part of the business community instead of separate from it, who strives to be an equal partner and have an equal voice. Small business owners, professionals, and job seekers see the embedded business librarian as a peer, colleague, and fellow business community member instead of an outsider who solely represents the library. READ MORE: Embedded Business Librarianship | American Libraries Magazine
Although biologists and indigenous people have worked together for centuries, the relationship has tended toward friction. Scientists often looked askance at traditional knowledge, sometimes with harmful consequences for both science and indigenous livelihoods…
…”The hardest thing is to sit in a room with scientists who think they’ve discovered something, but their scientific discovery just confirms what our oral histories have talked about forever,” says William Housty, a member of British Columbia’s Heiltsuk First Nation and director of Coastwatch, a science and conservation program. “That’s been the biggest hump for us to overcome, to get people to think about our culture on the same level as Western science. “Rocky though the transition has been, wildlife biologists like Polfus are today pursuing more respectful and participatory relationships with indigenous people.
It was an idea brewing in the mind of CJSW station manager Myke Atkinson for a long time: a library to explore the varied Calgary music scene.
So the station approached the Calgary Public Library and, with the help of a $30,000 grant from the Calgary Foundation, built the Calgary Local Music Library. The mobile unit will travel to eight libraries over eight months and will house 200 CDs of notable local music, digital picture frames displaying historical Calgary music photos and posters, and a listening station, so people can sample before they borrow. READ MORE: Calgary Public Library and Local Radio Station Work Together to Launch Local Music Collection | LJ INFOdocket
Could this be a new chapter in the way we interact with one another? Shaheryar Malik has left stacks of books from his own library at popular destinations all over New York City. He doesn’t stick around to see if anyone takes one of his books, nor does he re-visit his stacks. Instead he leaves a bookmark with his email address printed on it inside each book, in the hopes that he’ll hear back from whomever decided to pick that book up. READ MORE: Mysterious Stacks Of Books In NYC Are Connecting Strangers From Around The World | HuffPo
To look at the state of many libraries after the recession, facing cuts and closures and fundamental questions about “relevance,” you could be forgiven for being gloomy about their future. But gloomy is not the predominant tone of a terrific new report from Arup, the well-regarded design consultancy. It shows that some libraries, at least, are undergoing a “renaissance,” and that the future could be good for others. Arup organized workshops in four cities, bringing together a range of people interested in libraries. The report collects ideas from existing projects, as well as ideas for future spaces. There are four main themes…READ MORE: The Future Of Libraries Is Collaborative, Robotic, And Participatory | FastCompany
Chicago’s first-ever Architecture Biennial served as a staging ground for wild pavilions, exhibits, and installations. The fair also coincided with the debut of a major new artwork: the Stony Island Art Bank. Theaster Gates bought the Prohibition-era Stony Island Trust & Savings Bank building from the city of Chicago for $1. Yes, there was a catch: The artist had to raise the $3.7 million it would take to rehabilitate the building and put it to new use. Gates did the thing that you’re never supposed to do with a historic building: He started pulling it apart, piece by piece. READ MORE: Chicago Artist Theaster Gates and the Stony Island Art Bank | CityLab